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Chanida Areewatanasombat drawing surreal figures in a soft palette with looping animation
Music

Chanida Areewatanasombat: new 'letting go' series

Chanida Areewatanasombat's new 'letting go' series, noted 25 August 2026, turns private feelings into delicate animations and character work worth watching.


Chanida Areewatanasombat's new "letting go" series, noted 25 August 2026, uses illustration and looping animation as a way to process emotions most of us can't put into words.

What it is

Known as Chubbynida, the Bangkok-based artist makes what she calls "visual diaries": small, intimate works that fold memory, humour and surreal symbol into delicate line, gouache and digital motion. Her recent pieces centre on the mess of emotions involved in releasing long-held hopes, fears and grief — not a tidy surrender but a layered, often funny exploration of what letting go feels like.

Her process and reach

Chanida moves between oil pastel, collage, hand-drawn line and subtle animation, choosing medium to match mood. The animation loops are especially resonant: restrained movement amplifies emotion without spelling it out, making the work oddly cinematic and portable for screen-based projects. She is represented by London agency POCKO and has been rolling out a character design project, Chu-Billiken, launched earlier in 2026 for Japanese firm Tamurakoma.

"When I create something, like a drawing, illustration or animation, I feel a bit relieved," Chanida told Creative Boom.

Training at Kingston University shifted her approach — living alone abroad helped her find a voice she felt was missing — and her visual diaries have since found exhibition space in Thailand and beyond. She is preparing a show at Ó! Galeria in Porto opening in January and has other projects slated for 2027.

Why music fans should care

  • Her looping animations and delicate palettes translate easily into music-video sensibilities, stage visuals and animated album art.
  • Her character work — whimsical, ambiguous and repeatable — is built for branding, mascots or animated interludes that can deepen a record’s visual identity.
  • Her practice of distilling complex feeling into single keywords and images makes her a quick, concept-driven partner for creative directors working on multimedia releases.

For musicians and visual directors scouting fresh animation and illustration languages, Chanida’s work offers voice, vulnerability and a distinct palette that feels both intimate and globally playable.

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